Vendor Writing
Education: Still Feeling The Effects Of COVID-19
|
It’s been about five years since the Covid-19 pandemic turned the entire world upside down and turned every home with children into a virtual classroom.
The Contributor (https://thecontributor.org/page/45/)
The Band Concurrence Shows How Music Can Transcend Destruction
On the Harbor Stage at the 2026 Newport Jazz Festival on July 31, bassist Greg Bryant and pianist Paul Horton of Concurrence were playing their way through the history of North Nashville: the clubs and communities that once surrounded Jefferson Street, the construction of Interstate 40 through them and the musical possibilities that disappeared with the physical places that had sustained them. The pair were showing that what is gone can still have life in music. Halfway through the duo’s Newport Jazz Festival debut set, Bryant asked the audience to consider where they were standing. Fort Adams had served as a summer White House during Dwight D. Eisenhower’s presidency, which meant that 70 years after Eisenhower signed the Federal-Aid Highway Act of 1956, a Black bassist from Nashville was standing on grounds associated with his presidency, performing music about what happened when the interstate system reached North Nashville.
It’s been about five years since the Covid-19 pandemic turned the entire world upside down and turned every home with children into a virtual classroom.
Writer-director Asif Kapadia’s latest film offers viewers a glimpse of an American dystopia of the near future, about 50 years from now. 2073’s opening montage of drones, cameras, bombed-out looking cityscapes and rampant arrests and police brutality plays out while a bit of onscreen text tells viewers that the movie takes place 37 years after “The Event.”
In New San Francisco, Capital of the Americas, everything is covered in dust and rust, and a toxic golden haze fills the air. It’s got none of the charm of a foggy day in the City by the Bay, and all of the trappings of nearly every sci-fi film focused on terrible tomorrows. Beyond the opening, 2073 might feel familiar to viewers because it’s based on French filmmaker Chris Marker’s classic experimental 1962 film, La Jetée. La Jetée was also the inspiration for Terry Gilliam’s film 12 Monkeys.
As of this writing, Nashville has recorded close to 2,500 domestic volence (DV) victims in 2025 so far, with more than 660 children present during those incidents. More than 261 victims and 144 children were taken to safe places as a result of a domestic violence incident just this year. Victim advocacy organizations have been fighting for additional funding from the state. Gov. Bill Lee revised his budget request and included $20 million in state dollars for agencies serving victims of IPV and sexual assault.
According to an article by Anita Wadhwani published in the Tennessee Lookout on March 31, 2025, “the governor’s funding — $10 million in grants for each of the next two years — fell short of the request for $25 million in recurring state funding a coalition of state nonprofits say they need to preserve current services. “Sexual assault centers, domestic violence shelters and child abuse counseling agencies — many serving key roles in working with law enforcement to bring perpetrators to justice — have seen their share of federal Victims of Crime Act funding dwindle from a peak of $68 million in 2018 to $16 million last year,” Wadhwani wrote.
Mr. Mysterio is not a licensed astrologer, a registered fighter-pilot, or a certified surfer.
Nashvillians Explore Local Sustainability Efforts Through New Documentary ‘It’s All Connected: The Art of Sustainability’
The Contributor newspaper means more to me than just having my own business — that in and of itself is huge.