Features
Martin Scorsese’s ‘Killers of the Flower Moon’ is brilliant ensemble filmmaking
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Martin Scorsese’s Killers of the Flower Moon tells the true story of the murder of members of the Osage Nation in Oklahoma in the 1920s.
Features
Q&A with Executive Director Will Connelly
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As new Executive Director Will Connelly enters his second month at The Contributor, we sat down and asked him a few of his priorities as he begins in his new role.
Features
A New Mayor and the Path to Bicycle-Friendly Streets
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Nashvillians who hope for bicycling to become a practical, safe and sustainable daily mode of transportation know the city has a long way to go to reach that goal.
Features
A Few Questions with Marshall Crawford
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The Contributor spoke with Marshall Crawford, an affordable housing expert who has served as President and CEO of The Housing Fund.
Features
Addressing the Urgent Need for Improved Homelessness Mortality Data Collection in Nashville
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Tracking and evaluating homeless mortality data locally and nationally is vital to developing health and housing strategies to save lives.
Features
At Donelson Cafe & Catering, Thanksgiving is shared with all of Nashville
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For six years in a row, Donelson Cafe & Catering extended the communal spirit of Thanksgiving dinner tradition to the larger Nashville community.
Features
Sarah Childress Polk’s Financial Plight
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Bill wrote his brother urging him to introduce legislation in Congress to grant Mrs. Polk a pension as a widow of a president of the United States.
Features
A letter from Cathy Jennings as she transitions into a new role
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Since 2018, I have been privileged to serve as the executive director of The Contributor, and the journey has been deeply enriching, thanks to a team like those at the nonprofit and the community around us.
Features
Learn More About Senior Homelessness
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Nationwide senior homelessness is on the rise. And the United States seems ill-equipped to deal with the special needs of aging adults experiencing homelessness.
Features
‘American Fiction’ satirizes progressive hypocrisies in one of the year’s best films
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American Fiction is based on Percival Everett’s 2001 novel Erasure.