Features
The ‘Road House’ reboot is misunderstood and underrated
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One of the most interesting aspects of the new Road House is the postmodern meta-narrative created between Dalton and Roxie and Steven.
Features
Spaceman: Adam Sandler’s remarkable journey
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When Sandler is allowed to carry the one-man-movie he’s watchable and engaging even in silent, still space scenes.
Features
‘Dune: Part Two’ is the greatest space epic since 1977
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… I was mostly just overwhelmed and thinking, “This is the Star Wars feeling.”
Features
What we talk about when the Oscars talk about Oppenheimer
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Oppenheimer is part historical apology, part war picture, part bedroom drama. Mix them all together and watch it go boom!
Features
‘Nyad’ swims under the radar, onto Netflix and into the Oscars conversation
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Nyad is a biopic focused on long-distance-swimmer Diana Nyad’s attempts to swim from Cuba to Miami beginning at the age of 60 years old.
Features
Michael Mann’s ‘Ferrari’ brings combustible drama racing to video on demand
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Michael Mann’s biopic of race car driver and legendary Italian automobile manufacturer Enzo Ferrari was released in the US theaters on Christmas day.
Features
Martin Scorsese’s ‘Killers of the Flower Moon’ is brilliant ensemble filmmaking
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Martin Scorsese’s Killers of the Flower Moon tells the true story of the murder of members of the Osage Nation in Oklahoma in the 1920s.
Features
‘American Fiction’ satirizes progressive hypocrisies in one of the year’s best films
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American Fiction is based on Percival Everett’s 2001 novel Erasure.
Features
‘May December’ is Todd Haynes’ latest twist on the pop culture biopic
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It’s a movie about infamy and fragile realities that could only be made by Todd Haynes.
Features
David Fincher’s ‘The Killer’ is a hitman movie about hitman movies
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David Fincher’s new hitman film, The Killer is a movie about a killer-for-hire, his personal code, his hands-on trade, and the mess that the murder business can make of one’s personal life.