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‘Sinners’ swoops into streaming on MAX
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Sinners is Rotten Tomatoes’ critics’ highest scoring vampire film ever, and it’s 2025’s biggest original horror success.
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Free Range Art
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Daybreak Arts colors outside the clichés
This summer, three remarkable artists are set to bring sometimes-overlooked creative visions to the gallery experience in Downtown Nashville. As part of the curated Art Between the Avenues series, nonprofit artist collaborative Daybreak Arts will activate Gallery 64 inside the historic Arcade Arts venue, re-imagining the space as three immersive mini-galleries that promise to entertain and engage gallery-goers. ScreenshotCorp Posters by BandyBlueBandy as Budd LuddSidney Sparkle
The displays amplify the creative voices of Sidney Sparkle, Blue and Bandy — three artists whose personal journeys through homelessness inform their distinctive artistic styles and stories. Daybreak Arts curated this groundbreaking show to highlight how art can become a vehicle for survival, transformation and profound human connection. The organization is dedicated to utilizing the arts to create income and connection for those who’ve experienced homelessness.This show is the latest display in a mini-trend of local exhibitions by artists who’ve lived on Nashville’s streets, beginning with the excellent “Do You Know How Good You Are?” show by Room In The Inn artists at Julia Martin Gallery in June.
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The Damned’s frozen fishermen catch hell on Hulu
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… critics loved the film, but audiences kind of hated it.
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Animated film adds a killer new chapter to the Predator-verse
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The film’s three chapters all involve lots of violence and bloody action.
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New Pee-Wee Herman documentary is a unique portrait of an artist and an iconic character
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Reubens was — perhaps unsurprisingly — a kid with a big imagination.
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‘Companion’ is scary-fun company to keep on MAX
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“Companion” shifts through various tones ranging from Sci-Fi to slasher horror, from comedy to romantic drama.
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The Surfer rides a wave of psycho-social madness at The Belcourt
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Like any good surf film, The Surfer delivers the goods.
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‘2073’ is a dystopian hit on MAX
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Writer-director Asif Kapadia’s latest film offers viewers a glimpse of an American dystopia of the near future, about 50 years from now. 2073’s opening montage of drones, cameras, bombed-out looking cityscapes and rampant arrests and police brutality plays out while a bit of onscreen text tells viewers that the movie takes place 37 years after “The Event.”
In New San Francisco, Capital of the Americas, everything is covered in dust and rust, and a toxic golden haze fills the air. It’s got none of the charm of a foggy day in the City by the Bay, and all of the trappings of nearly every sci-fi film focused on terrible tomorrows. Beyond the opening, 2073 might feel familiar to viewers because it’s based on French filmmaker Chris Marker’s classic experimental 1962 film, La Jetée. La Jetée was also the inspiration for Terry Gilliam’s film 12 Monkeys.
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‘Holland’ is bloody twisted springtime streamer
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‘Holland’ turns Americana idealism on its head.